Friday, November 22, 2013

"Nothing to Declaire" (2011) - The Best-Ever "Poelvoorde-Boon" Film Ever!!!!

  Filmographie -
RIEN A DECLARER

Film de Dany Boon.
Sortie prévue le 26 janvier 2011 en Belgique et le 11 février 2011 en France.
Avec Benoit Poelvoorde, Christel Pedrinelli, Joachim Ledeganck, Karin Viard , Bouli Lanners, Olivier Gourmet, Laurent Gamelon, Zinedine Soualem, François Damiens, Julie Bernard, Bruno Lochet, Guy Lecluyse, Jérôme Commandeur, Michel Vuillermoz, Nadège Beausson-Diagne
Compositeur: Philippe Rombi

Chef opérateur: Pierre Aïm

Distribution: Pathé distribution
 
Synopsis : 1er janvier 1993 : passage à l'Europe. Deux douaniers, l'un Belge, l'autre Français, apprennent la disparition prochaine de leur petit poste de douane fixe situé dans la commune de Courquain France et Koorkin Belgique.
Francophobe de père en fils et douanier belge trop zélé, Ruben Vandervoorde se voit contraint et forcé d'inaugurer la première brigade volante mixte franco-belge. Son partenaire français sera Mathias Ducatel, voisin de douane et ennemi de toujours, qui surprend tout le monde en acceptant de devenir le co-équipier de Vandervoorde et sillonner avec lui les routes de campagnes frontalières à bord d'une 4L d'interception des douanes internationales.
 
      photo © www.benoitpoelvoorde.be                                             Dessin Juul Fockedey (www.juulfockedey.be)

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La bande annonce du film
 

Les premières photos exclusives du tournage du film "Rien à déclarer"
Découvrez les premiers clichés du film de Dany Boon "Rien à déclarer" qui s'est tourné à l'ancienne douane de Macquenoise dans la Commune de Momignies au printemps 2010.
  
  
Copyright www.benoitpoelvoorde.be (par Vence) ©

Echos du tournage (printemps 2010) - "Rien à déclarer" - réalisé par Dany Boon photo ©DR

"J'aime raconter des histoires pour faire rire et divertir. Avec "Rien à déclarer", je vais dénoncer la bêtise du chauvinisme et de l'intolérance avec humour. C'est une comédie un peu sociale sur la fin des frontières et le rejet de l'autre. Cette fois, je me bats contre ça avec mes armes à moi", raconte Dany Boon.
 
Quant à l'arrêt éventuel de Benoit Poelvoorde, Dany donne son impressions: "Sa retraite? C'est du pipeau! Ce serait dommage qu'un acteur aussi exceptionnel que lui décide d'arrêter. Mais je peux le comprendre, il est très connu mais fragile. La notoriété est difficile à gérer."
"Rien à déclarer": un casting à l'accent très belge !
Aux côtés de Benoit Poelvoorde, on retrouvera avec plaisir Bouli Lanners, François Damiens, Olivier Gourmet et Julie Bernard qui fera ses premiers pas au cinéma dans le rôle de la soeur de Ben. On y retrouvera également avec beaucoup de plaisir Karin Viard qui a déjà joué avec Ben dans "Les Randonneurs".

Avant-première du film au Kinépolis de Lomme (12 décembre 2010)Photos © copyright Laurent Warin
D'autres photos sont disponibles dans l'album photos en cliquant sur le lien suivant
       
Photos © copyright Laurent Warin
Photos copyright Laurent Warin (www.benoitpoelvoorde.be)

Avant-première du film "Rien à déclarer" à Bruxelles en photosCopyright: Marc Antoine et Marianne Grimont pour www.benoitpoelvoorde.be

 
A suivre sur le site, les plus belles photos de l'avant-première du film à Bruxelles.



Copyright: Marc Antoine et Marianne Grimont pour www.benoitpoelvoorde.be

Vidéos des avants-premières (décembre 2010)
 
A Maubeuge (11/12/2010)
 
A Maubeuge (11/12/2010)
 
A Hirson (Aisne) (10/12/2010)
 
A Hirson (Aisne) (10/12/2010)
     

Les photos du film © Pathé distribution
 
  
 
 
© Pathé distribution

"Mary & Max" (2010) - The Movie That Inspired "Despicable Me"

A very odd, very unlikely animated film from Australia that manages to be sickly-cute, alarmingly grotesque, and right-on at the same time – often in the very same scene. The two principal characters are an unloved, unregarded kid from Melbourne – Mary – and a heavyset middle-aged New Yorker with Asperger's syndrome, Max; they become penpals after Mary's random encounter with a telephone directory, and their exchange of letters swiftly emerges as the emotional lifeline for their unhappy existences. All of this is rendered in almost completely monochromatic claymation – only occasional colours stand out, such as the red pompomMary and Max
Mary sends to Max at one point - and writer-director Adam Elliot inserts many a throwaway gag and impressively leftfield (and largely insect-related) detail. He's also recruited an impressive voice cast – including Toni Collette, Barry Humphries and Philip Seymour Hoffman. But the switches in tone are jolting, to say the least: at one moment, Mary is enthusing about her favourite TV show; the next, we are being treated to a lecture on the symptoms of Asperger's. You have to admire the ambition, even if Elliot doesn't always seem certain if he's laughing with or at his creations.


"Escape from Planet Earth": The Newest Extraterrestrial Movie Ever!


"Escape from Planet Earth" starts Friday at Shannon Theatre

Starting Friday, Feb. 15 and running through Thursday, Feb. 21 will be "Escape from Planet Earth".  Rated (PG).
Astronaut Scorch Supernova finds himself caught in a trap when he responds to an SOS from a notoriously dangerous alien planet. (IMDb)
Show times:
Every evening at 7 p.m. and 9:30 p.m. with
Saturday, Sunday and Monday matinees at 1:30 p.m. and 4 p.m.
Shirley's Gourmet Popcorn flavors of the month for February are OREO WHITE-CHOCOLATE & MERCY MUNCH!

Thursday, November 21, 2013

Marion Ravenwood: The Survivalist Action Heroine

Marion Ravenwood: The Survivalist Action Heroine

Marion Ravenwood is not the toughest of the action heroines. Lara Croft or Leia Organa might be able to out-gun her and Ripley from Alien or the Bride from the Kill Bill films could probably have her beat in brute strength and special skills.

But nobody, and I mean nobody, beats her in feistiness. She’s tops in the will-to-live department. She owns the, “I don’t care who you are, I’ll punch you square in the jaw” category.

No character since Raiders of the Lost Ark has taken the same approach that she did of getting through the adventure she was unwittingly pulled into. In a way, she’s the survivalist role model for all action heroines. Because Marion never set out to take down an evil empire or save the day, she doesn’t have any ulterior motives in her toughness. She just wants to live and she doesn’t want to be pushed around.
Sure, Marion Ravenwood is written to be a tribute to some of the dames of movies gone by, but she’s also very original. For anyone in my generation (the millennials), she was one of, if not the first, feisty women we’d ever laid eyes on in a film. She was completely original to those of us who didn’t realize that Marion, and in fact the whole of Raiders of the Lost Ark was an homage to the old serial adventures from the 1930’s. If you put her up next to many of the leading ladies of today’s action films, she’s still a one of a kind. It’s odd that a character constructed to be a tribute could still seem so non-formulaic and modern.
She may have been one of the first leading ladies of the action genre that gave women a reason to come to a film because there was a character that was a part of the adventure with whom they could identify. As attractive as she was, Marion wasn’t simply eye candy. As much as we loved to watch our hero, Indiana Jones, Marion Ravenwood was equally admirable. Especially for those of us who watched her when we were little girls. 



I do believe that old Fred Astaire quote is relevant in this circumstance in regards to what Ginger Rogers had to do in order to dance with him, “She has to do everything that I do backwards and in heels”. So it was with Karen Allen, who went into a pit of snakes, a sweltering airplane, a tomb full of corpses…just to name a few set-ups, wearing nothing but a gauzy white ball gown and either toeless heels or bare feet. Tell me, who had to be more brave in those situations, the man with the gun and the whip, covered from head to toe, or the barefoot
lady in a backless dress?


This Marion sits on my desk at work,
a daily reminder not to take any guff...and
that a frying pan can be very useful in a
pinch.

One of her greatest strengths is that she’s in touch with her anger. She gets mad, a lot, and rightfully so. In fact, she is so frequently annoyed with the men in her life and how they complicate it that she isn’t afraid to express her feelings at all times and under any circumstances.

There is nothing tragically stifled about her, and she doesn’t suffer from that ivory tower syndrome that so many leading ladies seem to be written with. (Not that it’s an entirely bad quality story-wise; it can be an interesting character trait.) Marion is refreshingly expressive compared to many damsels in distress. She lets it all out, and she knows who she blames for her circumstances. She blames Indy for breaking her heart, her father (Abner Ravenwood) for leaving her stranded in Nepal, and whoever has their hands on her when she has not given them her permission.

This is also where that survivalist mentality kicks in, because when Indy finds her stranded in Nepal, she’s not wasting away. She’s flourishing, even under circumstances that she hates. She’s a business owner, she’s winning drinking contests with men twice her size, and she’s not under any kind of false illusions about who she is and what she wants.

She slaps, she yells, she screams, she punches, and she even hits someone over the head with a frying pan. But she plays it completely straight. There’s nothing simpering about her, even when she’s screaming for Indy’s help…she still sounds strong and demanding. There may be a touch of impatience, but hey, if you were being carted away in a basket by a gang of strangers, you might be a little testy too.

Marion never asks anyone for permission for anything. She joins the adventure on her own terms, naming herself a partner in order to protect her investment (her father’s medal). Instead of waiting for Indy to save her in the tent at Tanis when she’s been captured by Nazis, she comes up with her own escape plan.

It should also be noted that even when she’s put through the ringer, she doesn’t stay down for long. She’s easily one of the most resilient action heroines of all time, especially toward the end of the film. She gets kidnapped, thrown into a pit of snakes, assaulted by corpses and then manages to have enough wits about her to hi-jack a plane. Even though it doesn’t go picture perfect for her, she was sharp enough to come up with the idea and brave enough to take the risk to do it. Now that’s resourceful. Leia typically had a team of people to command to help her accomplish what she needed to get done, Marion was just half of a team of exhausted people trying to stay alive.

Marion’s decisions also affect the story, which is a rare quality for leading ladies. Many times women in film are counted upon to “ooh” and “ah”, but never to take any actions that lead to their own salvation or the resolution of the plot. But Allen as Ravenwood convincingly takes charge of her own situations as often as she can. This sometimes puts her in more danger and sometimes ends up saving her life.


For example, if she had sat passively in the tent at Tanis, what would’ve become of her when the Nazis raided the boat she was on? She likely would’ve been executed. Instead, she cleverly took the time to acquaint herself with her captors, making her harder to kill later. However, if she had just given Abner’s medal to Indy at the beginning of the movie, she wouldn’t have been exposed to any danger at all. I’m convinced that she could’ve asked him to fly her back to America and he would’ve done it and continued on by himself. But she wanted to be involved.


Even though the character is written in such an unforgettable way, it was Karen Allen’s performance that sent Ravenwood skyrocketing into my memory as a cinematic role model. What could’ve just been a likeable character has now become legendary to film geeks and a good example to women everywhere. She redefined what was permissible for a leading lady, and as a character, she has the ability to make you stop and take stock of the areas in your life where you could stand to use a little more gumption.

Wednesday, November 20, 2013

Free Birds! (2013) - The Newest Movie Ever!



Storyline

Two birds from opposite sides of the tracks join forces and travel through time to get their species off people's plates.
Reggie (voiced by Owen Wilson) was an ordinary turkey, until one Thanksgiving he was pardoned by the President. Unaware of the fate he’s escaped, Reggie is living large and enjoying the good life at Camp David. But when Reggie is kidnapped by Jake (voiced by Woody Harrelson), the rebel leader of a turkey uprising, he discovers a horrifying secret: Turkeys aren’t honored holiday guests- they’re tasty holiday meals! Jake and Reggie hijack a top secret time machine and travel back in time to 1621, to the first Thanksgiving to take themselves off the menu.

Walking with Dinosaurs: The Movie 3D

Walking with Dinosaurs is an upcoming dinosaur film produced by BBC Earth and named after BBC's 1999 television documentary miniseries. The film features computer-animated dinosaurs in live-action settings, and the main characters are voiced by actors. The film is directed by Neil Nightingale and Barry Cook from an original script by John Collee. The crew filmed footage on location in the U.S. state of Alaska and in New Zealand, which were chosen for their similarities to the dinosaurs' surroundings millions of years ago. Computer-animated dinosaurs were then created and added to the live-action backdrop. The production budget was $85 million, though the film was labeled as independent due to no studio backing during production. Instead, most of the financing was covered by presales to theatrical distributors around the world. Walking with Dinosaurs is scheduled to be released in theaters in 2D and 3D on 20 December 2013.


Friday, November 8, 2013

The Six Ultra Brothers Against The Monster Army (1974): "Godzilla" Meets "Transformers"


Hanuman vs. 7 Ultramans (1974)

About a week ago I reviewed the action packed extravaganza, 6 Ultra Brothers vs. the Monster Army. I relayed the story of how I'd recently become obsessed with Thai crapmaster, Sompote Sands. 6 Ultra Brothersis commonly mistaken for this movie, so it seemed like the right choice to follow it up with this absurdity. Hanuman vs. 7 Ultramans(that's no typo, the Thai language doesn't really account for pluralization of the literal English translation) is a strange and somewhat incomprehensible assault on the senses. Mixing Kaiju Eiga with the Hindu Mythology already feels wrong somehow from the get go. Can you imagine if a serious attempt was ever made in America to turn "God" fully clad in a white robeand beard into a giant avenger who squashes bad guys and fights monsters? Sure, it would have a hell of a cult following but certain things seem off limits when it comes to religious taboos and as far as I can tell this movie was aiming at a mainstream audience ofchildren. Welcome to the weird and wonderful world of Sompote Sands.

I'm pretty sure there's a plot here somewhere. There's a group of celebratory children performing some kind of ritualistic song and dance routine around some temple ruins. This scene seemed to drag on longer than it should. After one of the boys finds some bandits stealing a stone Buddha head he flips out! Screaming, chasing after them, all the while they're punching and kicking him in the head. Don't get me wrong, these guys were assholes but the kid's attachment to this idol was ridiculous. He runs after them and jumps on the back of their MOVING CAR. I was completely entertained by this almost keystone kops-esque chase scene. That is until one of the bandits gets fed up and SHOOTS THE KID IN THE FACE!
















A bastard thug shoots the young kid. (below)















The wounded kid has many full of cold blood, shot by a criminal. (above)




WHOA! Did I just see that? And so begins my understanding of the true nature of Mr. Sands' fucked-uppery.

Meanwhile we're introduced to two stooges that's role in the movie is never quite clear. Comic relief I suppose? They drive around the desert until they find a lake and decide to go for a swim. They're wearing women's bathing suits underneath their clothes! This picture pretty much sums up their entire roles in the movie...





















All kinds of craziness is going on in outer space. The Ultramans are cohorting on their awesome Bava-esque planet (since these scenes are taken directly from 6 Ultra Brothers, there are lots of nice pictures of this in my review for it) and Hanuman is having a conversation with some other Deity in a giant fiery orb (the sun perhaps?). Amidst their conversation Hanuman decides to take the body of the little boy who was shot in the face. Which I presumed would be to eventually revive him. I mean, what good is being an ancient God if you don't have some kind of mystical healing powers? But alas, it was just a tease. The plot really didn't go in that direction at all. In the end, after Hanuman as inevitably saved the day, he flies off like nothing ever happened. Like he didn't just possess the body of a boy-corpse in order to taunt his murderers.























































Another subplot I could barely comprehend are all the scientists with all the rockets. Not two or three rockets, but something like 20 rockets bunched up together on a launching pad. Eventually this set-up leads to the accident that will cause the monster attack. An earthquake awakens a bunch of monsters in which Hanuman attempts to battle. Poorly, I might add. He gets his ass handed to him and has to rely on the 6 underwhelmed Ultra Brothers to save him. That's another thing. Where does this 7th Ultramans come in? My best guess is that the appearance of Ultra Mari (Ultraman's Mother) at the beginning makes up for this oversight. I might also add that there's no "versus" involved here. Hanuman and the the Ultramans are on the same side. In the end Hanuman thanks the Ultramans by performing what I assume is some goofy sacred dance. He does that a lot. He hugs and kisses each disillusioned Ultraman before they fly off back to their home planet.. .And so ended the epic freak fest known as Hanuman vs. 7 Ultramans.




















So what's the verdict? Well, there were times I was a little disappointed in how the Hanuman costumelooked like a costume, and the actor in it was probably just some guy they paid to flounce around like a monkey. No finesse like I'm used to from the Japanese. Then again there were other times his face looked really fierce and the sheer weirdness of what I was seeing was enough to carry the movie. Besides, I think disappointment is Sompote Sands calling card. He built an entire career on broken dreams and strange myth. I've seen a lot of foreign movies. (When I say foreign I mean the way growing an extra limb out of your back would be foreign.) None have seemed quite so foreign as this and probably his other movies too. I can't help but wonder how well this and the other Hanuman movies did in Thailand at the time of their release. I believe there are at least two others, Hanuman vs the 5 Riders and Space Warriors. There's also Giant and Jumbo A, which I thought starred Hanuman but later realized it stars another Sompote Sands movie Deity "Yuk Wud Jaeng" from his film Tah Tien, which at a glance has a similar costume. Reviews for ALL of these movies are on the way.

There's so little information about Sands on the net. Aside from the few aforementioned blogs, you'll be lucky to find anything that's not misinformation. Like IMDB for instance, it only lists three of his movies and even makes the mistake of confusing Hanuman vs. 7 Ultramans and the original 6 Ultra Brothers vs. the Monster Army, listing them as the same movie and he as the primary director. I know for sure that he did at least 15-20 movies as I've seen them on ethaicd.com and various reviews in other blogs. But if you type in his name in google mostly links on the lawsuit that was only resolved three years ago come up. In my review for 6 Ultra Brothers vs. the Monster Army I was a little confused about about the lawsuit between Tsuburaya Productions and Chaiyo, awesome blogger/Sompote Sands expert Die, Danger, Die, Die, Kill! cleared that up for me. I was under the impression that Chaiyo never had permission to use footage from Ultraman, but I guess what really happened was they thought they were giving permission to use a little bit of footage for this movie alone and that sheister Sands ran with it! He spent a good chunk of his career abusing his expired privilege of Tsuburaya's creations. There's a great article on it over at Scifijapan.com. I still can't help but root for Sompote a little bit. It's the same part of me that would rather suffer through Badi: the Turkish ET, than be bored watching the original. Not to compare Tsuburaya with Spielburg! Yikes! But it was the hacks of the world who were responsible for leading me to some of the most strange discoveries. Everyone's seen Star Wars, but you'd be surprised how few have seen the outrageousPlanet Wars: the Brazilian Star Wars. Just because it's a stolen idea doesn't mean it's not a good idea.



















Some may not like this strange fermentation of Japanese and Thai culture. Ultraman is very clean, Hanuman and company seem exotic by comparison. Not in the drinking cocktails out of a coconuts on the beach while listen to Martin Denny sort of way. More like the I went to vacation in Thailand and came back with this festering rash on my ballsack kinda way.

Next I'll be watching one of Sompote Sands original films (to be announced) and I'll see what kind of proverbial rape of the senses he has to offer next.


for more stills I took from Hanuman vs. 7 Ultramans click on on the link...